Joint exhibition with Alice Lamont at 138 Gallery
Β 8-15 JanΒ 2025
βπππ πππ πΉππ¦π aims to address analogue and digital memory through a queer femme gaze. Alice and Camillaβs respective painting practices have contrasting artistic styles but share an interest in exploring memory and selfhood. Technology gives us the ability to look back on images from our life and through doing so, especially on social media, can give us a patchwork sense of who or what we have been and who we are now.
Visually, pink and blue are dominant colours in both artistsβ work, especially in the abstract or representational depiction of selfhood. The two colours also traditionally represent happy/angry/emotive (pink) and sadness/contemplation (blue). Using acrylics and oils, the works created will intersect and divert each other. Alice paints memories of childhood, early adulthood, and femme on femme sexuality, often focusing on everyday scenes, while Camilla depicts the phenomenology of self and nostalgia through an internet lens.
As well as hinting to the bisexual flag, βπππ πππ πΉππ¦π aims also to subvert the traditional binary gender norms of girl/boy.
Visually, pink and blue are dominant colours in both artistsβ work, especially in the abstract or representational depiction of selfhood. The two colours also traditionally represent happy/angry/emotive (pink) and sadness/contemplation (blue). Using acrylics and oils, the works created will intersect and divert each other. Alice paints memories of childhood, early adulthood, and femme on femme sexuality, often focusing on everyday scenes, while Camilla depicts the phenomenology of self and nostalgia through an internet lens.
As well as hinting to the bisexual flag, βπππ πππ πΉππ¦π aims also to subvert the traditional binary gender norms of girl/boy.
